TURN-ONS
& TURN-OFFS
What's
in it for you
Reading erotic fiction is a chancy business. How soon into a story can
you tell if the author is on your wavelength? Any publisher knows that
a good title, cover design and punchy sales blurb can help get a book
into a reader's hands. But, particularly in terms of erotic subject
matter, if the reader's personal preferences do not precisely match
those of the author, this can lead to frustration - or a stimulating
exercise in creative imagination. You, the reader can, by imagining
changes you'd make to storyline or characters, shut the book and mentally
drive the action in a direction more likely to get your juices flowing.
Alternatively, you can read the story right through before imagining
your chosen alternative version and get off on it as often as you like.
When the author of this story started writing it - the aim was to push
the buttons of one particular individual (and, of course, his own during
the writing process). The content was chosen to appeal to specific known
sexual/sensual preferences. After showing the first sequence to several
like-minded kinkheads, the basic scenario was then broadened by adding
elements which he knew would appeal to several other personal acquaintances.
What's
in it for me
By the time the story was shown to me, it was already 15,000 words long
- and a lot of it immediately fired up my boilers. However, certain
elements and images in the story cut across my personal likes-and-dislikes
enough to be distracting. So, at first I mentally edited them out -
and then, because it was an electronic file, began a process of physically
replacing what jarred for me. This may sound presumptuous (if not bloody
rude!), but when it comes to sexual stimulation, we all know that it's
the subtle nuances which really make the difference. As in cooking,
the same basic ingredients can result in different flavoured dishes,
depending on addition of various little 'extras', or exclusions.
Happily, with the Author's agreement, I spent a lot of highly stimulating
hours imagining his two excellent characters and core scenario into
a piece of text which will allow me to get off on it during many re-readings
in the future.
This
version of the 15000 word original story is now 38,000 words long
- and I'm delighted that the Derek Arnold has agreed that other readers
should be allowed to see my 'take' on his story.
Enjoy it for what's in it for you. (Jim Stewart
August 2003)